UX of Senses Week 1

UX of Senses Week 1

UX of Senses Week 1

"the more you want to see me, the less you do" ~ jeanne

"the more you want to see me, the less you do" ~ jeanne

"the more you want to see me, the less you do" ~ jeanne

UX Studio Practices

UX Studio Practices

Week 1

Week 1

Wearable Design

Wearable Design

Group & Duration

Group & Duration

Group & Duration

Dahoon, Jeanne, Ojaswi, Priyanka, Sakshi, Yanshan

Dahoon, Jeanne, Ojaswi, Priyanka, Sakshi, Yanshan

Dahoon, Jeanne, Ojaswi, Priyanka, Sakshi, Yanshan

27th Sept - 3rd Oct

27th Sept - 3rd Oct

27th Sept - 3rd Oct

THE brief

THE brief

THE brief

"Conceive, make and wear a design that reimagines a place through the senses"

"Conceive, make and wear a design that reimagines a place through the senses"

"Conceive, make and wear a design that reimagines a place through the senses"

To start off, as a test run, we were asked to explore a particular area around the royal festival hall in our groups & design a wearable for that location. 

To start off, as a test run, we were asked to explore a particular area around the royal festival hall in our groups & design a wearable for that location. 

To start off, as a test run, we were asked to explore a particular area around the royal festival hall in our groups & design a wearable for that location. 

Graffiti Skatepark - Test Location

Graffiti Skatepark - Test Location

Graffiti Skatepark - Test Location

Wearable Design

Wearable Design

Wearable Design

After presenting the prototype, we were advised to avoid representational design, target one sense instead of multiple, & dig deep into it.

After presenting the prototype, we were advised to avoid representational design, target one sense instead of multiple, & dig deep into it.

Visiting the leake street tunnel

Visiting the leake street tunnel

Visiting the leake street tunnel

Our group was assigned the Leake Street Tunnel. While it shared some similarities with the graffiti skatepark, it differed greatly in scale and had its own atmosphere.


The strong smell of fresh paint engulfed us as we entered the tunnel. Walking through it multiple times, we observed the painters, their artwork, and every corner of the space. A recurring theme stood out in the paintings — many featured faces, some with realistic details and others with unsettling, creepy eyes. Disembodied eyes, repeated in patterns, were also common.

Our group was assigned the Leake Street Tunnel. While it shared some similarities with the graffiti skatepark, it differed greatly in scale and had its own atmosphere.


The strong smell of fresh paint engulfed us as we entered the tunnel. Walking through it multiple times, we observed the painters, their artwork, and every corner of the space. A recurring theme stood out in the paintings — many featured faces, some with realistic details and others with unsettling, creepy eyes. Disembodied eyes, repeated in patterns, were also common.

It gave us an eerie sense that the walls and ceiling were staring at us, adding to our discomfort.

It gave us an eerie sense that the walls and ceiling were staring at us, adding to our discomfort.

It gave us an eerie sense that the walls and ceiling were staring at us, adding to our discomfort.

Leake Street Tunnel & its many eyes

Leake Street Tunnel & its many eyes

Leake Street Tunnel & its many eyes

We also noticed the constant presence of tourists taking photos, which made us uneasy about being photographed unknowingly.

We also noticed the constant presence of tourists taking photos, which made us uneasy about being photographed unknowingly.

To revisit this feeling, we focused on ‘Scopaesthesia’, the sensation of being stared at, even when we can’t see who is looking.

To revisit this feeling, we focused on ‘Scopaesthesia’, the sensation of being stared at, even when we can’t see who is looking.

To revisit this feeling, we focused on ‘Scopaesthesia’, the sensation of being stared at, even when we can’t see who is looking.

Brainstorming & Ideating

Brainstorming & Ideating

Brainstorming & Ideating

After discussing possible ways to move ahead, we finalised on designing a headgear inspired by the scales of an armadillo.

After discussing possible ways to move ahead, we finalised on designing a headgear inspired by the scales of an armadillo.

After discussing possible ways to move ahead, we finalised on designing a headgear inspired by the scales of an armadillo.

Initial Sketches

Initial Sketches

Inspiration (Pinterest, n.d.; MechaTech Systems n.d.)

Low Fidelity Prototypes

Low Fidelity Prototypes

Our prototype had movable elements that could be adjusted for varying levels of anonymity. A cape was added to enhance the sense of protection and visually evoke the sense of scopaesthesia for anyone looking from the outside.

Our prototype had movable elements that could be adjusted for varying levels of anonymity. A cape was added to enhance the sense of protection and visually evoke the sense of scopaesthesia for anyone looking from the outside.

materials used

materials used

materials used

Thin cardboard - flexible but sturdy, for the headgear,

Thin cardboard - flexible but sturdy, for the headgear,

Paper - thin & lightweight, for cape,

Paper - thin & lightweight, for cape,

Mirrored Vinyl - for the adjustable vizor. 

Mirrored Vinyl - for the adjustable vizor. 

Thin Cardboard

Thin Cardboard

Paper

Paper

Mirrored Vinyl

Mirrored Vinyl

The headgear & the vizor

The headgear & the vizor

The headgear & the vizor

We initially aimed for every part on the headgear to move. After multiple failed attempts with various sizes, shapes & orientations, we decided to fix all layers except the visor. This adjustable vizor would give back control to the user.

We initially aimed for every part on the headgear to move. After multiple failed attempts with various sizes, shapes & orientations, we decided to fix all layers except the visor. This adjustable vizor would give back control to the user.

Photographer's POV

Photographer's POV

Photographer's POV

User's POV

User's POV

User's POV

Designing the Cape

Designing the Cape

Designing the Cape

The exterior of the cape featured graffiti-edged layered papers with googly eyes, mirroring all the eyes looking in from the outside and empowering the wearer, as if the cape allowed them to stare back at the external gazes.

The exterior of the cape featured graffiti-edged layered papers with googly eyes, mirroring all the eyes looking in from the outside and empowering the wearer, as if the cape allowed them to stare back at the external gazes.

Putting everything together

Putting everything together

Putting everything together

Wood and soft plastic tubes were used to provide structural support during assembly.

Wood and soft plastic tubes were used to provide structural support during assembly.

Wood and soft plastic tubes were used to provide structural support during assembly.

Presentation & Feedback

Presentation & Feedback

Presentation & Feedback

Well-received; the purpose was clear.

Well-received; the purpose was clear.

Well-received; the purpose was clear.

Audience felt the wearable belonged in the original location.

Audience felt the wearable belonged in the original location.

Audience felt the wearable belonged in the original location.

Audience participation was suggested over self-wearing.

Audience participation was suggested over self-wearing.

Audience participation was suggested over self-wearing.

More explanation on the one-way reflective material was needed.

More explanation on the one-way reflective material was needed.

More explanation on the one-way reflective material was needed.

The Wearable

The Wearable

The Wearable

Taking our wearable back to the Leake Street Tunnel

Taking our wearable back to the Leake Street Tunnel

Taking our wearable back to the Leake Street Tunnel

my thoughts

my thoughts

my thoughts

The test run was extremely helpful in preparing for the main project. Everything we learned during that phase was applied to building the headgear. While our final wearable was relatively successful, a better presentation, like a fashion show to enhance immersion, could have improved the experience.

by team 'eyes on you'

by team 'eyes on you'

by team 'eyes on you'

References

References

References

  1. MechaTech Systems (n.d.) Exoskeletons: A History – Part 1. Available at: https://www.mechatech.co.uk/journal/exoskeletons-history-part-1

  2. Pinterest (n.d.) [Unique Hands-Free Umbrella Prototype]. Available at: https://pin.it/2KhXX6pbX

  1. MechaTech Systems (n.d.) Exoskeletons: A History – Part 1. Available at: https://www.mechatech.co.uk/journal/exoskeletons-history-part-1

  2. Pinterest (n.d.) [Unique Hands-Free Umbrella Prototype]. Available at: https://pin.it/2KhXX6pbX

Thank You For Reading.

Thank You For Reading.

Thank You For Reading.

✨ Keep Exploring ✨

RITUAL DESIGN

RITUAL DESIGN

✨ Keep Exploring ✨

RITUAL DESIGN

RITUAL DESIGN

✨ Keep Exploring ✨

RITUAL DESIGN

RITUAL DESIGN

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© 2025 | Designed and developed by me with ♡ | All Rights Reserved.

Let’s Connect!

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© 2025 | Designed and developed by me with ♡ | All Rights Reserved.

Let’s Connect!

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© 2025 | Designed and developed by me with ♡ | All Rights Reserved.